The sound is absolutely transparent and it is the kind of pre-amp you’d use when you want no coloration and you want to hear EXACTLY what comes in, without any kind of alteration of the sound, without any added sonic characteristics, basically the TRUE sound that is being picked up by your microphones

• DRUMS - Beat no.1 - Overheads only - AKG414's

• DRUMS - Beat no.2 - Overheads only - AKG414's

• GUITAR - Arpeggio with fingers - AKG414's

• GUITAR - Ballad - AKG414's

• GUITAR - Blues - AKG414's

• GUITAR - Django Reinhart with pick - AKG414's

• GUITAR - Strum with fingers - AKG414's

• GUITAR - Strum with pick - AKG414's

• PIANO - Chopin - Polonaise in A maj - KSM32's

• PIANO - Debussy - Arabesque no. 1 - KSM 32's

These audio files are recorederd by Marc Urselli at EASTSIDE SOUND STUDIO（New York) . ( 24bit /192kHz)

My initial impression was a very good one. The sound is clean, clear and transparent, but with a nice punch. It’s a welcome addition to the world of first-class microphone preamps.